17000 Islands基本信息

17000 Islands

因为这部“片子”的性质很特殊,所以先要说它是什么。

17000 Islands是一部人人都可以参与的纪录片,或者说影像实验。导演去除控制,把剪辑权交给观众。

在印尼雅加达有一座缩影公园,里面复制了印尼各地的特色建筑。这是在苏哈托执政时期建的,希望反映这个多元国家的人们都和谐地生活在一起。这种人为控制造出的理想画面使本片的导演很感兴趣,他们反而想在此地拍摄一部去除控制的电影。可是剪辑本身就是种控制,所以导演决定让观众剪辑。但大多数观众毕竟不熟悉剪辑,所以导演就做出了一个由很多几何图案构成的印尼群岛界面,每个几何图案代表了一小段影片,观众可像玩拼图一样随意拖动这些几何图案,这样可以改变这些片段在影片中顺序。如果观众对剪辑感兴趣可使用专门的剪辑软件对影片素材进行处理。目前导演只在几个电影节上进行了测试,但是导演表示已经从观众的创造中得到了他们自己长时间剪辑中没想到的点子。现在系统还在进行调试,这个夏天晚些时候应该就能完成。到时导演会把它放到互联网上,所有人都能参与完成这部片子。

来源:“影片”官网简介http://17000islandsinteractive.com/preview/index.php/about-project/

filmmaker杂志上的详细介绍 http://filmmakermagazine.com/57620-destroying-17000-islands-at-cphdox/

国家:挪威

年代:2013

导演:Thomas Østbye(挪威)和Edwin(印尼)

(导演Thomas简介:他参与了2012DOX: LAB,本片就是这个lab的项目

Thomas Østbye (1979), born and based in Oslo, is both a filmmaker and artist working with installation and photography. He’s known to combine artistic reflections on the documentary genre with contemporary political dilemmas. He made his mark with formally challenging and socially engaged documentaries like Imagining Emanuel, HUMAN and in your dreams.

他也拥有自己的制片公司

官网http://www.plymserafin.com/

facebook界面 https://www.facebook.com/ThomasOstbyePlymSerafin

以上综合https://www.festivalscope.com/director/stbye-thomas

和官网http://17000islandsinteractive.com/preview/

导演Edwin简介:从入选的电影节看,势头不错。

Edwin is one of Indonesia’s most prominent filmmakers. His latest film, Postcards From The Zoo was nominated for Golden Bear at Berlinale 2012. His first feature Blind Pig Who Wants to Fly received the FIPRESCI Prize at the International Film Festival Rotterdam 2009, and his short film Kara, Anak Sebatang Pohon was the first Indonesian film to be shown on the Director’s Fortnight in Cannes 2005.

来自官网http://17000islandsinteractive.com/preview/

 

 

创作团队:

上面提到的导演运营的制片公司PlymSerafin

影片官网简介:PlymSerafin produces formally challenging documentary films that seek depth in their subject matter. The films have been nominated several times for the National Broadcasting Awards, the National Film Awards, Prix Europa and screened at Hotdocs and MoMA. They received a number of film and art awards including Nordic Dox Award – CPH:DOX for Imagining Emanuel, Prix Français – National Art Exhibition for In your dreams, Golden Chair – Grimstad and Goldener Schlüssel – Kasseler for Human.

因为最后实现观众参与需要一个由很多几何图案构成的印尼群岛界面,所以还有设计公司Helios Design Labs参与进来        公司官网http://heliozilla.com/

影片官网简介:Helios Design Labs is an interdisciplinary design studio located at the intersection of art and technology.

We design experiences that combine the art of traditional storytelling with new and emerging technologies in web, mobile and animation.

While we have strong technical capabilities, we believe in using technology to help tell a better story, not just for its own sake.

Design is at the core of what we do.

影片官网:http://17000islandsinteractive.com/

facebook界面:https://facebook.com/17000Islands

因为互联网上所有人都能参与的界面还没完成,所以目前的消息很少,只有上面提到的filmmaker杂志上的详细介绍 http://filmmakermagazine.com/57620-destroying-17000-islands-at-cphdox/  其中还有导演阐述自己的想法

 

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Nowhere Home基本信息

Nowhere Home

时长:90min

制片国家:挪威

年代:2012

导演:Margreth Olin

(导演简介:来自挪威电影协会 http://www.nfi.no/english/norwegianfilms/search/Film?key=101749

以及wiki http://en.wikipedia.org/wiki/Margreth_Olin 挪威语,google翻译

NORDOX之前展映过她的《生色少年》,这部片子在挪威有超过6万人观看。还有就是她领导了对挪威移民政策的抗议,还被挪威的一个杂志评为了年度人物。

In 2006 she made herself known to be the initiator of the action «Nestekjaerlighet.no». Two years later when she resumed the action protesting against new cutbacks in the immigration policy, she was titeled the Year 2008 Norwegian by the Norwegian weekly magazine Ny Tid.

她在的制片公司里有更为详细的简介http://www.speranza.no/info/margreth.asp 挪威语)

制片公司:Speranza Film as http://www.speranza.no/ 挪威语

Speranza Film as was started in 1995. The company produces feature films, documentaries, music videos, short films and TV series. Marhreth Olin is the managing director.

Margreth Olin的几部片子都是这个公司制作的

联合制作:Memfis Film官网http://memfis.se/ 不知道是不是我的问题,打开没有东西

在cineuropa上它的界面 http://www.cineuropa.org/id.aspx?t=prodcompany&documentID=8553

这个公司应该挺厉害的,一眼认出来的就有忧郁症,五道电影难题

facebook界面 https://www.facebook.com/NowhereHomeMovie

内容简介:

挪威电影协会 http://www.nfi.no/english/norwegianfilms/search/Film?key=101749

IDFA简介 http://www.idfa.nl/industry/tags/project.aspx?id=4defdaca-5fe1-4b01-92b6-2b8659fcd139

挪威规定独自来此寻求战争避难的小孩一满18岁必须回到原居住国。孩子们因此感到恐惧和无助,开始产生心理问题,甚至做出自毁行为。本片导演纪录了其中一个男孩的生活,并跟随他回到原居住国,以及之后以非法移民身份回到欧洲,以此展现了欧洲在这个问题上所处于的道德困境

In 2009, the Norwegian government introduced several measures to restrict immigration. One of the measures is to grant temporary residence permits to unaccompanied children seeking asylum. At the age of 18, they are to be returned to their country of origin. In Norway, the Child Welfare takes custody of children without close caregivers – but this does not apply to unaccompanied asylum-seeking children between the age of 15 and 18 years.

This film follows a number of boys placed in Salhus, a center offering temporary residence for 20 child asylum seekers. Most of them will be deported as soon as they become 18, and that means an uncertain future in Afghanistan, Somalia, Iraq or other war-torn regions. The fear and the hopelessness often lead to psychological problems, and in some cases to self-destructive behavior. This film follows one of the boys even after his deportation. It takes the boy two months to return to Europe, where an existence as an illegal immigrant is still better than life in Iraqi Kurdistan. Nowhere Home uncovers the reality of a question that has been one of Europe’s major moral dilemmas for many years.

采访:

YouTube上有不少导演采访,但都是丹麦语……

cineuropa的导演采访 http://cineuropa.org/it.aspx?t=interview&l=en&did=230567

RUSH PRINT杂志(film/tv- and theater life in Norway and Scandinavia)http://rushprint.no/2013/01/nordic-reality-margreth-olin/ 整个网站是英文的,但不知道为什么搜到的导演采访页是英文的…

不是针对这部电影的,只在采访最后提到,但说了一些自己的电影经历和对丹麦电影的一些想法

影评:

目前没找到正式英文媒体的影评,只看到几个博客的影评,就摘录一篇

http://article-27.com/2013/04/human-rights-watch-film-festival-2013-london-nowhere-home/

其实除了电影,谈了很多关于挪威/欧洲移民的问题

Human Rights Watch Film Festival上基本是介绍,http://ff.hrw.org/film/nowhere-home?city=4 但有关于这些移民儿童问题的介绍,还有Human Rights Watch网站上的相关问题的链接http://www.hrw.org/topic/childrens-rights/refugees-and-migrants

优酷预告片地址 http://v.youku.com/v_show/id_XNTg1Nzk3NDA4.html

Bravehearts基本信息

Bravehearts

时长:90 min(这个是挪威电影协会的2012 Norwegian Films 的pdf里给出的时长,但影片制片网站上写的是60分钟 http://www.santogusant.no/?p=116 ,imdb上写的是108分钟,挪威电影协会数据库里写的是118分钟http://www.nfi.no/english/norwegianfilms/search/Film?key=101703

制片国家:挪威

年代:2012

导演: Kari Anne Moe

(挪威电影协会上的导演简介 ,目前只导过两部片子,没有太多履历,有一点值得注意她从2007年开始与bravehearts的制片公司San&Usant合作,作为其导演和制片人http://www.nfi.no/english/norwegianfilms/search/Person?key=92087

制片公司:San&Usant(丹麦) http://www.santogusant.no

2006年成立的专门制作纪录片的公司,而且面向多种形式:电影,电视,网络。

Sant & Usant was established in 2006 as a production-house for documentary films. Sant & Usant produces documentaries at all formats, for television, festivals, cinema and Internet, reaching out to a national and an international audience.

In August 2012 we launched the cinema documentary ‘Til ungdommen’ (Eng. Bravehearts) directed by Kari Anne Moe in 100 cinemas in Norway

联合制片:

Auto Images AB(瑞典)http://vimeo.com/user3641969

成立于1998年,以制作纪录片为主,也制作一些剧情片。

Auto Images has also produced several successful fiction projects, including the Berlin Film Festival winners Daybreak http://movie.douban.com/subject/1732381/  (by Björn Runge) and My Uncle Loved the Colour Yellow (by Mats Olof Olsson).

Among Auto Images co-productions are the Cannes winner Armadillo (Denmark), The Punk Syndrome (Finland), The Last Norwegian Troll (Norway) and Bravehearts (Norway).

ma.ja.de(德国)http://en.majade.de     vimeo界面http://vimeo.com/user3641969

成立于1991年,是专注于纪录片制片的公司,目前制作的纪录片超过70部,05年成立了ma.ja.de,也开始制作剧情片

官网:http://braveheartsthemovie.com 英语

也有facebook界面 https://www.facebook.com/TilUngdommen

不过这个是挪威语,而且google翻译不过来,但里面收集的资料挺丰富的,而且更新也比较勤,就是看不懂…

内容简介:

IDFA上的简介(有带英文字幕的预告)

http://www.idfa.nl/industry/tags/project.aspx?id=df20c9c8-07fc-4205-8de7-b6713821c3e3

官网简介http://braveheartsthemovie.com/about-the-film/

四个来自不同党派青年组织的学生都是政治上的积极分子,都希望用自己的努力来改变世界。可是2011年在挪威发生的恐怖袭击却永远改变了这群年轻人对政治,对未来的看法。

Sana, Henrik, Prince and John are members of their respective political youth party and preparing for the election campaign 2011. Four young people dare to say what they think about the society, and they hope to make the world a better place by their effort.

Bravehearts follows the four of them during meetings, training courses, debates and in interviews, and paints a picture of an assertive generation with an optimistic attitude towards the future. Suddenly, the film takes a completely different turn when July 22 puts an end to this open-mindedness. They become the generation marked for life by July 22, 2011.

采访与影评(这两个并在一起,因为主要是挪威语材料,而找到的英语资料也比较杂):

官网上收集了不少http://braveheartsthemovie.com/press/in-the-media/ ,虽然是英文官网,但链接到的材料基本都是挪威语…

indiewire上有一个2012IDFA要看的10部片子,但基本属于简介形式

http://www.indiewire.com/article/10-docs-to-watch-at-idfa-2012

cineuropa上一片综合性文章(有关于恐怖袭击事件的介绍,有影片拍摄过程的介绍,The Norwegian International Film Festival电影节主席选这部片的理由)

http://cineuropa.org/nw.aspx?t=newsdetail&l=en&did=222097

The Norwegian International Film Festival对该片的报道(提到观众,媒体反应)

http://www.filmweb.no/filmfestivalen/incoming/article1061526.ece?language=english

对制片人的采访,提到年轻人对这部影片的反应 http://www.radio.cz/en/section/curraffrs/one-world-opener-bravehearts-maps-year-in-life-of-norwegian-students-shaken-by-breivik-attacks

导演的非英语采访 https://www.youtube.com/watch?v=cC8PJnk5xI8

业界信息:

http://cineuropa.org/nw.aspx?t=newsdetail&l=en&did=229374

2012年挪威电影国内票房(文章里按人次算)惨淡,但该片还是10大卖座挪威片的第十名

综合上面的制片人采访,以及官网上对里面学生参与的政治活动的介绍,以及挪威选举的年龄下限调低的情况,总结了一点可以算是背景资料:

挪威从1989年开始在挪威大选前举行学生竞选(本片中的学生们正在为此准备),从2011年开始挪威部分地区把选举年龄调到16岁。这也许是为什么很多挪威青少年们积极参与到政治活动中,同时为什么这次恐怖袭击又给他们这么大的震动。在挪威放映时,超过80%的观众是年轻人,有人说他们是被这次恐怖袭击定义的一代。

优酷上的预告片:http://v.youku.com/v_show/id_XNTgzMzM0MTQ0.html (无英文字幕,IDFA上的界面有英文字幕的预告http://www.idfa.nl/industry/tags/project.aspx?id=df20c9c8-07fc-4205-8de7-b6713821c3e3

When bubbles burst基本信息

时长:90 min

制片国家:挪威

年代:2012

导演:Hans Petter Moland

(导演简介:Hans Petter Moland has directed six feature films and one documentary: The Last Lieutenant (1993), Zero Kelvin (1995), Aberdeen (2000), The Beautiful Country (2004), Comrade Pedersen (2006), A Somewhat Gentle Man (2010) and the documentary When Bubbles Burst (2012). He has also directed the award winning short United We Stand (2002). He holds a BFA in Film from Emerson College (1978). Both The Beautiful Country and A Somewhat Gentle Man were selected for Competition at the Berlin International Film Festival. 粗体的三部电影在中国有一定的知名度http://www.doxafestival.ca/festival/films/bubbles

IMDB上的简介:British film historian Peter Cowie once described him as “the Ridley Scott of Norway,” for his directing hundreds of TV commercials and winning awards at all the major festivals of advertising films.)

制片公司:Eyeworks Dinamo AS http://www.dinamo.no/enheter/eyeworks

影片简介:

挪威电影协会上的 2013 Norwegian Films at Goteborg International Film Festival 和 2012 Norwegian Films的PDF里都有介绍

下面三个电影节有比较详细的介绍

One World International Human Rights Documentary Film Festival http://www.oneworld.cz/2013/films-a-z/22293

CPH: DOX

http://www.cphdox.dk/d/film.lasso?e=1&ser=1756&play=1

DOXA Documentary Film Festival(温哥华)

http://www.doxafestival.ca/festival/films/bubbles

综合参考它们的简介是:

08年美国经济危机的影响几乎波及到全球每一个角落,就连挪威的一个小镇也在突然之间仅因为一笔投资就破产了。镇子的领导因此去美国和欧洲探索这些钱是怎么被弄没的。该片跟随他们看到了经济全球化的恐怖程度,同时也回顾了过去的经济危机,指出目前的危机是经济发展的必然过程。该片也对未来可持续发展能否阻止经济进一步崩溃做出了展望

“When Bubbles Burst” looks at the burst financial bubble from a true global perspective – namely from a bankrupt Norwegian mountain village! Here, one has lived for over 1000 years believing in each other and the common good, until the small community lost everything in a speculative investment. As a result, Vik’s former Mayor along with a village counsellor venture to the United States, United Kingdom, and throughout Europe to find out where their money ended up and uncover the culprits.

This documentary gives us an alternatingly fascinating and terrifying glimpse at the current state of the global economy. It also discusses financial crises of the past, and it does not pretend that financial debt is unlikely or necessarily “bad”. Of those interviewed on the subject, they assert that it is actually necessary because it paves the way for innovation. This documentary also looks at the future of investment in green development and economic sustainability.

未找到相关采访

影评:

http://www.vancouverweekly.com/the-bubble-has-burst/ 来自Vancouver Weekly

目前只找到这一篇发表在正式出版物的影评,还有博客影评

未找到相关业界信息

预告片:

上面两个电影节简介里都可看到预告片,

优酷 http://v.youku.com/v_show/id_XNTgxMzg4OTQ0.html