When heroes lie基本信息

When heroes lie

时长:119 min

制片国家:芬兰

年代:2012

导演: Arto Halonen

(导演简介:Arto Halonen has directed numerous award-winning films, including  the fiction feature film Princess and the documentary films Shadow of the Holy Book,  Pavlov’s dogs, Karmapa – Two Ways of Divinity and the  Tank Man. In 2005, Halonen was awarded the Finland Prize, the highest annual prize in the arts given by the Ministry of Culture and the Finnish State.

Among other important prizes, he has received the Humanitarian Award of the European Union in 1998, and, in 2008, the Thessaloniki   Documentary Festival honoured him as one of the most important   documentary filmmakers of his generation. In year 2010 Halonen was  awarded by the city of Helsinki Culture prize for his remarkable artistic  career.

Halonen is also the founder and the first festival director of DocPoint –  the Helsinki Documentary Film Festival – and is a member of the European Film Academy.

摘自制片公司网站http://www.artfilmsproduction.com/index.php?option=com_content&view=article&id=30&Itemid=44&lang=en

看介绍在芬兰应该挺有地位的,但只有粗体那部片子豆瓣上稍微有几个人看过

不过这个电影公司收集的一篇媒体报道http://www.artfilmsproduction.com/index.php?option=com_content&view=article&id=84%3Acaravanofnordic&catid=16%3Akirjoituksiaeng&Itemid=50&lang=en

里面有一段信息

In the late 1980’s Arto trained students in filmmaking and acted as the Regional Cinema Artist in the province of Northern Karelia. During that time, he trained teachers, screenwriters, and filmmakers using educational films and extensive production programs. The art community there handed him an award for distinguishing himself in film production with international reach. It’s an award many Nordic filmmakers could very well share. In 2000, Arto and some of the foremost documentary film-makers in Finland: Georg Grontenfelt, Visa Koiso-Kanttila, Anu Kuivalainen, John Webster, Timo Korhonen and Kiti Luostarinen established Elephant Films, Ltd. a Finnish Directors’ Group. Although it consists of seven separate prodco’s it is united by a primary aim to strengthen content by creating a synergetic environment where better docs can be made. The collective company manages to share costs and experience without jeopardizing the artistic independence of each filmmaker. As a director-driven company, it also, in a way, surpasses the need for productorial middlemen, or some would say meddle-men. This is an idea whose time could come to these shores, too.

他培训了很多电影工作者。而且2000年他的几个芬兰优秀的纪录片导演成立了一个我不知道具体叫什么,但现在这个概念应该已经非常流行了:几个人彼此合作分享,但又各自保持独立性。

制片公司: Art Films Production(芬兰)http://www.artfilmsproduction.com/

这个公司有一个比较有意思的地方,它的网站上就很明确地写了一部分films produced by Arts Films,一部分 produced by Arto Halonen

Art Films Production AFP Ltd develops and produces creative, quality films. The company’s main focus is on fiction films and documentaries, but animation projects have also been developed and realised over the years. Art Films began its operations in 1987. 很老牌的公司了

联合制片:这个联合制片信息没出现在IDFA或影片官网上,但出现在一篇文章里http://bzfilm.com/articles-notes/first-ever-finnishcroatian-sports-doping-film-presented-to-co-financiers-in-cannes/ 说和克罗地亚的MP Film Production公司联合制片,能搜到一些新闻看到克罗地亚确实有这个制片公司,但没搜到它的官网

影片官网:http://www.whenheroeslie.com/

facebook界面地址 https://www.facebook.com/whenheroeslie

这个facebook挺猛的,一直在收集各项体育运动的兴奋剂消息,也不翻旧账,都是新消息,不过更猛的是它也收集了一些反对这部影片的新闻

内容简介:

2001年北欧项目世界锦标赛时整队芬兰滑雪运动员被查出服用兴奋剂,从而揭露出芬兰滑雪运动上长期有系统的兴奋剂使用史。本片采访了教练,运动员,相关专家,揭示了这项运动的黑暗面。其实它折射出了整个体育界,甚至整个社会。观众对英雄的需求蒙蔽了他们的理性。社会为了满足这种需求给了这种谎言和伪善存在的空间,为了获胜可以不允许胜利超越道德,允许双重标准的存在。

When an entire group of Finnish skiers tested positive for doping in the Lahti World Championships of 2001, it revealed the systematic and long-term history of the use of illegal performance-enhancing drugs in the sport.

When Heroes Lie analyzes the history of doping from the 1970s to the present day, using archive footage and interviews with skiers, coaches and experts. Director Arto Halonen conducted extensive research into the global doping culture in top-class athletics. He explores how our society, where success systematically prevails over morals, lays the foundation for a hypocritical attitude in the pursuit of triumph. The people want champions and heroism, but close their eyes to the world behind the international stage – that shadowy world that sets the conditions for hero status. But when there’s official confirmation of something that anybody with any common sense could have known all along, the moral outrage is immense. This touches on a wider problem in our society: cheating is the rule rather than the exception when it comes to achieving our sacred goals. But nobody seems to mind, as long as it doesn’t come to light.

以上来源 IDFA http://www.idfa.nl/industry/tags/project.aspx?id=dfae47ce-0b1e-4eda-9c55-5fb2413b2420

和影片官网 http://www.whenheroeslie.com/synopsis

采访:针对这部影片没有找到导演的英文采访

但这篇文章中引用了这样一段比较重要的导演的话http://www.cineuropa.org/nw.aspx?t=newsdetail&l=en&did=216183

We have been very meticulous in our research, so if anyone will sue us, we can prove every detail of the rotten, doping-ridden history of skiing we disclose. However, we also came upon some second-hand reports, which were simply incredible, and unusable in a documentary on a sensitive subject.

还有一个之前提到的网站收集的导演采访,虽然和本片无关,但后面提到了很多芬兰电影的现状和他自己公司的事

http://www.artfilmsproduction.com/index.php?option=com_content&view=article&id=84%3Acaravanofnordic&catid=16%3Akirjoituksiaeng&Itemid=50&lang=en

还有一个以前的采访,讲自己对纪录片的态度 http://www.filmfestivals.com/blog/thessaloniki/arto_halonen_press_conference_in_the_10th_thessaloniki_documentary_festival

一句引用http://bzfilm.com/articles-notes/first-ever-finnishcroatian-sports-doping-film-presented-to-co-financiers-in-cannes/

”With fiction, I can play with the characters and bring in empathy and humour. I want to help people think of doping in a different way, from the angle of people outside the system”

影评:

官网上收集了都是片段是影评,但可能因为原文都是北欧文的缘故,也没给链接(facebook上有)

现在唯一找到的是一个a Nordic sport science web journal上的影评 http://idrottsforum.org/forumbloggen/a-faulty-film-coming-to-a-screen-near-you/

但是这篇文章觉得这部电影有缺陷,导演有预设立场

社会新闻:

因为兴奋剂确实会引起很大的社会关注,所以有很多跟兴奋剂相关的新闻

比如之前提到的导演用了很多匿名信息,又坚持不透露来源,而且有些披露的目前还没有证据,所以挪威方面反应很激烈http://www.newsinenglish.no/2012/11/22/skiers-shocked-over-doping-claims/

不过影片也带来了一些积极影响。导演写了公开信建议改变现有的芬兰兴奋剂监控系统,芬兰Minister of Social Affairs and Health做出回应:I’ve asked to organize a discussion between the Finnish Medicines Agency and the police in order to develop their co-operation. The discussion will be to review the existing mechanisms for cooperation and possible needs for improvement when cooperating with drug control detected in the suspected criminal conduct and seeking a reference to any of the cases in which illegal activity is potentially criminally out of date.

http://www.whenheroeslie.com/news/55

优酷预告片地址 http://v.youku.com/v_show/id_XNTg5NjI2MzI4.html

 

 

 

17000 Islands基本信息

17000 Islands

因为这部“片子”的性质很特殊,所以先要说它是什么。

17000 Islands是一部人人都可以参与的纪录片,或者说影像实验。导演去除控制,把剪辑权交给观众。

在印尼雅加达有一座缩影公园,里面复制了印尼各地的特色建筑。这是在苏哈托执政时期建的,希望反映这个多元国家的人们都和谐地生活在一起。这种人为控制造出的理想画面使本片的导演很感兴趣,他们反而想在此地拍摄一部去除控制的电影。可是剪辑本身就是种控制,所以导演决定让观众剪辑。但大多数观众毕竟不熟悉剪辑,所以导演就做出了一个由很多几何图案构成的印尼群岛界面,每个几何图案代表了一小段影片,观众可像玩拼图一样随意拖动这些几何图案,这样可以改变这些片段在影片中顺序。如果观众对剪辑感兴趣可使用专门的剪辑软件对影片素材进行处理。目前导演只在几个电影节上进行了测试,但是导演表示已经从观众的创造中得到了他们自己长时间剪辑中没想到的点子。现在系统还在进行调试,这个夏天晚些时候应该就能完成。到时导演会把它放到互联网上,所有人都能参与完成这部片子。

来源:“影片”官网简介http://17000islandsinteractive.com/preview/index.php/about-project/

filmmaker杂志上的详细介绍 http://filmmakermagazine.com/57620-destroying-17000-islands-at-cphdox/

国家:挪威

年代:2013

导演:Thomas Østbye(挪威)和Edwin(印尼)

(导演Thomas简介:他参与了2012DOX: LAB,本片就是这个lab的项目

Thomas Østbye (1979), born and based in Oslo, is both a filmmaker and artist working with installation and photography. He’s known to combine artistic reflections on the documentary genre with contemporary political dilemmas. He made his mark with formally challenging and socially engaged documentaries like Imagining Emanuel, HUMAN and in your dreams.

他也拥有自己的制片公司

官网http://www.plymserafin.com/

facebook界面 https://www.facebook.com/ThomasOstbyePlymSerafin

以上综合https://www.festivalscope.com/director/stbye-thomas

和官网http://17000islandsinteractive.com/preview/

导演Edwin简介:从入选的电影节看,势头不错。

Edwin is one of Indonesia’s most prominent filmmakers. His latest film, Postcards From The Zoo was nominated for Golden Bear at Berlinale 2012. His first feature Blind Pig Who Wants to Fly received the FIPRESCI Prize at the International Film Festival Rotterdam 2009, and his short film Kara, Anak Sebatang Pohon was the first Indonesian film to be shown on the Director’s Fortnight in Cannes 2005.

来自官网http://17000islandsinteractive.com/preview/

 

 

创作团队:

上面提到的导演运营的制片公司PlymSerafin

影片官网简介:PlymSerafin produces formally challenging documentary films that seek depth in their subject matter. The films have been nominated several times for the National Broadcasting Awards, the National Film Awards, Prix Europa and screened at Hotdocs and MoMA. They received a number of film and art awards including Nordic Dox Award – CPH:DOX for Imagining Emanuel, Prix Français – National Art Exhibition for In your dreams, Golden Chair – Grimstad and Goldener Schlüssel – Kasseler for Human.

因为最后实现观众参与需要一个由很多几何图案构成的印尼群岛界面,所以还有设计公司Helios Design Labs参与进来        公司官网http://heliozilla.com/

影片官网简介:Helios Design Labs is an interdisciplinary design studio located at the intersection of art and technology.

We design experiences that combine the art of traditional storytelling with new and emerging technologies in web, mobile and animation.

While we have strong technical capabilities, we believe in using technology to help tell a better story, not just for its own sake.

Design is at the core of what we do.

影片官网:http://17000islandsinteractive.com/

facebook界面:https://facebook.com/17000Islands

因为互联网上所有人都能参与的界面还没完成,所以目前的消息很少,只有上面提到的filmmaker杂志上的详细介绍 http://filmmakermagazine.com/57620-destroying-17000-islands-at-cphdox/  其中还有导演阐述自己的想法

 

Dance for me基本信息

Dance for me

时长:76min

制片国家:丹麦

年代:2013

导演: Katrine Philp

(导演简介:Born 1978, Denmark. Former dancer, Philp is a graduate in documentary direction from the National Film School of Denmark in 2009 and in film production design from the Danish Design School in 2003. 本片是她毕业后的第一部正式作品,她参加过DOX: LAB.

以上信息来源:丹麦电影协会杂志的介绍文章http://www.dfi.dk/Service/English/News-and-publications/FILM-Magazine/Artikler-fra-tidsskriftet-FILM/76/The-price-of-perfection.aspx 右边栏

DOX: LAB http://www.cphdox.dk/doxlab/dir.lasso?n=16

制片公司:Klassefilm ApS http://www.klassefilm.dk/en/news1.html 这个官网有点奇怪,只有不断更新的跟自己电影有关的信息,没有公司介绍,没有制作人介绍

影片facebook界面 https://www.facebook.com/danceformemovie

内容简介:丹麦电影协会简介 http://www.dfi.dk/faktaomfilm/film/en/79472.aspx?id=79472

IDFA http://www.idfa.nl/industry/tags/project.aspx?id=ca3297f0-48b8-4ffc-b809-be8d040a6bf7

丹麦出了很多的杰出拉丁舞者,14岁的Mie正向这一行列努力。她的家人为她在俄罗斯寻找到Egor作搭档。Egor搬到丹麦,住在Mie家里。他们在舞蹈上磨合,越来越成为一对完美搭档,但下了舞场Egor和Mie的家庭都难以适应彼此。本片纪录下了这对搭档在追逐梦想的同时面临的生活上的挑战。

Denmark produces lots of professional ballroom dancers – but everything depends on finding the right partner. In recent years, dancers are increasingly being brought in from Russia and other Eastern European countries to form the ideal dance couple. 14-year-old Mie is an elite dancer. When her partner stops dancing, her family finds a new Russian partner Egor. Since May 2011, he has lived with Mie and her parents in Denmark. The duo appear to be perfect together. But Egor is having trouble adjusting to his new home, and Mie and her mother also have to get used to the new family member.

目前没找到什么英语采访和影评,只有一篇丹麦电影协会杂志上的文章http://www.dfi.dk/Service/English/News-and-publications/FILM-Magazine/Artikler-fra-tidsskriftet-FILM/76/The-price-of-perfection.aspx

预告片就是上面IDFA的链接

Ash基本信息

Ash

时长:95min

制片国家:冰岛

年代:2013

导演: Herbert Sveinbjörnsson

(导演简介:Herbert Sveinbjörnsson ( 22 July 1973 ) is an Icelandic filmmaker who works with RUV(冰岛广播电视台). He was Chairman of the Citizens Movement – people in Congress . Citizens Movement came through four members of parliament. Herbert stopped in August 2009 because of unrest within the movement. He blogged about the issue, saying: “It’s hard to watch a child of ridicule and make a fool of himself, watching it change what you look for.” 来自wiki http://is.wikipedia.org/wiki/Herbert_Sveinbj%C3%B6rnsson 芬兰文,用google翻译的

他除了电影,还领导了政治运动

冰岛电影中心上他的电影履历http://www.icelandicfilms.info/person/nr/596 Future of Hope也是他的片子)

制片公司:Edisons lifandi ljósmyndir ehf 没什么信息,目前也只制作了这一部电影,还有 future of hope 联合制片

官网:http://www.edisonsmovies.com/

facebbok界面:https://zh-cn.facebook.com/ash.movie.2012

内容简介:

冰岛电影中心上内容简介http://www.icelandicfilms.info/films/nr/1466

2010年冰岛火山爆发,火山灰以每秒70吨的速度喷发,几乎所有经过此的航线都停运了。一个小国当时却引起了全世界的关注。当航线恢复,众人的关注淡去时,生活在火山附近的冰岛人民还在试图抢救牲畜,挽救自己的生活。该片就跟着三个这样的家庭看看这场灾难带给他们的影响。

On April 14th 2010 the earth opened up for the second time in less than a month at Eyjafjallajökull in Southern Iceland. The volcanic eruption melted the ice cap, flooded the nearby farms and spewed 70 tons of ash into the stratosphere per second and disrupted air traffic throughout Northern Europe. It forced many flight cancellations and stranded thousands of passengers. The disruption captured the world’s attention. When the airlines resumed their normal routes and headlines started to fade, the farmers under the volcano were fighting for their livestock and livelihood as they still are today.

The film ‘ASH’ follows three farming families living under the volcano over the course of a year to see the effect of the ash on their lives and livelihood. It is a character-driven creative documentary about the aftermath under the volcano.

没搜到其他相关信息,就是官网上还有个导演自述

优酷预告片地址 http://v.youku.com/v_show/id_XNTg2NzE3MDMy.html

 

 

Dance of Outlaws基本信息

Dance of Outlaws

时长:官网上写的貌似有不同版本83 and 58 min

制片国家:芬兰

年代:2012

导演:Mohamed El Aboudi

(导演简介:综合官网http://www.danceofoutlaws.com/credits

和其他两个网站http://icebreakerproductions.wordpress.com/creative-mind/mohamed-el-aboudi/  http://www.mol.fi/mol/en/01_ministry/08_publications/02_monitori/05_backissues/01_monitori12541/mon2006_4_10_en.jsp

El Aboudi was born and brought up in Morocco. He graduated from the University of Fes, Morocco with a BA in Theatre, 1991 and with a MA in Film & Television at Bond University, Australia in 1997. He got involved in making the programmes for YLE once he had moved to Finland in 2001.

Selected filmography: Fight of Fate (nominee Prix Europa, 2010), City Folk Helsinki 2007, Inside/Offside 2006, Two Mothers 2005, Ramadan 2004, My Father, the Freemason 2003. In his work Mohamed has been interested in strong human stories. He has made documentaries about asylum seekers, mothers of immigrants, artists, and a girl with Down syndrome.)

制片公司:Illume Ltd(芬兰)http://www.illume.fi/

Illume Ltd is a Finnish production company that specialices in creative documentary filmmaking. The company was established 25 years ago in 1987 by filmmakers Pertti Veijalainen, Jouko Aaltonen and Heimo Lappalainen. Since then more than 90 productions have been completed, including twelwe international co-productions. The company invests in developing entertaining, emotionally engaging films that spark debate about the society and politics in the world today. The company has received European Union MEDIA development slate funding twice, in 2003 and in 2010.

Road Movies Ltd (挪威)没查到这个公司自己的界面,只有影片官网上的简介http://www.danceofoutlaws.com/credits

Road Movies Oy has produced documentaries since 1990. The main partners are the Finnish TV1 and TV2. Also co-productions, pre-sales and acquisitions with several European TV-channels. Special interest in multicultural themes and cultures of resistance. The company produces documentary films with human touch, strong artistic vision and excellent quality.

联合制片公司:YLE 芬兰广播公司

影片官网:http://www.danceofoutlaws.com/

facebook界面:https://www.facebook.com/DanceOfOutlaws

内容简介:

官网 http://www.danceofoutlaws.com/story

IDFA http://www.idfa.nl/industry/tags/project.aspx?id=ffa9c38b-c3f0-492c-bd9d-d5eb21781ef6

摩洛哥女孩Hind15岁时被强奸,然后被家庭抛弃,并且也失去了身份,她成了一个法律上并不存在的人。为了生存她只能去婚礼上跳舞赚钱。尽管生活里充满了挣扎,但Hind并没有放弃努力。她仍希望有一天她可以拥有法律身份,夺回女儿的抚养权,作为一个平等的人有尊严地活着。

When she was only 15, Moroccan Hind was raped and deprived by her shamed family of her identity card. She becomes a woman who doesn’t exist in law. She has no other choice but to work as a prostitute and traditional wedding dancer. By the age of 22 she has been in prison several times, has had two children and been forced to give them away. But despite the odds, she refuses to give up her dream of dignity, motherhood and love.

Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the center of the film, Hind is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.

目前搜到的采访和影评不多,而且其中不少还是非英语的…

采访:

官网上有导演自述 http://www.danceofoutlaws.com/story

提到最为令人震惊的一点是在摩纳哥,如果强奸犯和受害者结婚,那强奸犯便不会受到法律惩罚。

Euromed Audiovisual(欧盟支持的一个项目:Euromed Audiovisual in its 3rd phase has a budget of €11 million over 3 years (2011-2013) and funds six projects aimed at developing the film and audiovisual sector in 10 South Mediterranean countries: Algeria, Egypt, Jordan, Israel, Lebanon, Libya, Morocco, Palestine, Syria and Tunisia)网站的导演采访http://euromedaudiovisuel.net/p.aspx?t=interviews&mid=91&l=en&did=1288

这篇文章和本片没关系,是关于导演为YLE做的一个很成功的节目Basaari(关于多元文化),那时导演正在想转型。其实这篇文章关于导演本人的都不多,但其中讲了芬兰现在文化上越来越多元,和媒体如何应对这种变化。http://www.mol.fi/mol/en/01_ministry/08_publications/02_monitori/05_backissues/01_monitori12541/mon2006_4_10_en.jsp

影评:

名利场 http://variety.com/2012/film/reviews/dance-of-outlaws-1117948074/

Euromed Audiovisual http://www.euromedaudiovisuel.net/p.aspx?t=news&mid=21&cid=1&l=en&did=1214

其实两篇文章评的部分都比较少

优酷预告片http://v.youku.com/v_show/id_XNTg2MjU1NTI4.html

Nowhere Home基本信息

Nowhere Home

时长:90min

制片国家:挪威

年代:2012

导演:Margreth Olin

(导演简介:来自挪威电影协会 http://www.nfi.no/english/norwegianfilms/search/Film?key=101749

以及wiki http://en.wikipedia.org/wiki/Margreth_Olin 挪威语,google翻译

NORDOX之前展映过她的《生色少年》,这部片子在挪威有超过6万人观看。还有就是她领导了对挪威移民政策的抗议,还被挪威的一个杂志评为了年度人物。

In 2006 she made herself known to be the initiator of the action «Nestekjaerlighet.no». Two years later when she resumed the action protesting against new cutbacks in the immigration policy, she was titeled the Year 2008 Norwegian by the Norwegian weekly magazine Ny Tid.

她在的制片公司里有更为详细的简介http://www.speranza.no/info/margreth.asp 挪威语)

制片公司:Speranza Film as http://www.speranza.no/ 挪威语

Speranza Film as was started in 1995. The company produces feature films, documentaries, music videos, short films and TV series. Marhreth Olin is the managing director.

Margreth Olin的几部片子都是这个公司制作的

联合制作:Memfis Film官网http://memfis.se/ 不知道是不是我的问题,打开没有东西

在cineuropa上它的界面 http://www.cineuropa.org/id.aspx?t=prodcompany&documentID=8553

这个公司应该挺厉害的,一眼认出来的就有忧郁症,五道电影难题

facebook界面 https://www.facebook.com/NowhereHomeMovie

内容简介:

挪威电影协会 http://www.nfi.no/english/norwegianfilms/search/Film?key=101749

IDFA简介 http://www.idfa.nl/industry/tags/project.aspx?id=4defdaca-5fe1-4b01-92b6-2b8659fcd139

挪威规定独自来此寻求战争避难的小孩一满18岁必须回到原居住国。孩子们因此感到恐惧和无助,开始产生心理问题,甚至做出自毁行为。本片导演纪录了其中一个男孩的生活,并跟随他回到原居住国,以及之后以非法移民身份回到欧洲,以此展现了欧洲在这个问题上所处于的道德困境

In 2009, the Norwegian government introduced several measures to restrict immigration. One of the measures is to grant temporary residence permits to unaccompanied children seeking asylum. At the age of 18, they are to be returned to their country of origin. In Norway, the Child Welfare takes custody of children without close caregivers – but this does not apply to unaccompanied asylum-seeking children between the age of 15 and 18 years.

This film follows a number of boys placed in Salhus, a center offering temporary residence for 20 child asylum seekers. Most of them will be deported as soon as they become 18, and that means an uncertain future in Afghanistan, Somalia, Iraq or other war-torn regions. The fear and the hopelessness often lead to psychological problems, and in some cases to self-destructive behavior. This film follows one of the boys even after his deportation. It takes the boy two months to return to Europe, where an existence as an illegal immigrant is still better than life in Iraqi Kurdistan. Nowhere Home uncovers the reality of a question that has been one of Europe’s major moral dilemmas for many years.

采访:

YouTube上有不少导演采访,但都是丹麦语……

cineuropa的导演采访 http://cineuropa.org/it.aspx?t=interview&l=en&did=230567

RUSH PRINT杂志(film/tv- and theater life in Norway and Scandinavia)http://rushprint.no/2013/01/nordic-reality-margreth-olin/ 整个网站是英文的,但不知道为什么搜到的导演采访页是英文的…

不是针对这部电影的,只在采访最后提到,但说了一些自己的电影经历和对丹麦电影的一些想法

影评:

目前没找到正式英文媒体的影评,只看到几个博客的影评,就摘录一篇

http://article-27.com/2013/04/human-rights-watch-film-festival-2013-london-nowhere-home/

其实除了电影,谈了很多关于挪威/欧洲移民的问题

Human Rights Watch Film Festival上基本是介绍,http://ff.hrw.org/film/nowhere-home?city=4 但有关于这些移民儿童问题的介绍,还有Human Rights Watch网站上的相关问题的链接http://www.hrw.org/topic/childrens-rights/refugees-and-migrants

优酷预告片地址 http://v.youku.com/v_show/id_XNTg1Nzk3NDA4.html

Everyone Is Older than I Am基本信息

Everyone Is Older than I Am (这部片子的信息真的很少)

时长:75 min

制片国家:瑞典

年代:2012

导演:Martin Widerberg

(导演简介:Martin Widerberg was born in Stockholm and lives in Malmö. He is the son of film director Bo Widerberg and brother of actors Nina Widerberg and Johan Widerberg. He studied art and photography and has had many exhibitions around Europe. After having directed three short films, he completed the documentary All are older than I am.

来自https://www.festivalscope.com/director/widerberg-martinhttp://sv.wikipedia.org/wiki/Martin_Widerberg

制片公司:Widerberg Film AB (瑞典)瑞典电影协会的界面

http://www.sfi.se/en-GB/Swedish-film-database/Item/?type=COMPANY&itemid=342721

基本就是导演的家庭公司,出品的电影不是Martin就是他妻子的

联合制片:Film i Skåne AB http://www.filmiskane.se/ 瑞典语,用google翻译的

Film i Skåne is a regional resource and production center for film whose mission is to promote film activities in Skåne. Film i Skåne was formed in 1995 and is mostly financed by Region Skåne ( Regional Cultural Committee and Business Region Skåne) And the Swedish Film Institute.摘自官网

从瑞典电影协会的界面http://www.sfi.se/en-GB/Swedish-film-database/Item/?type=COMPANY&itemid=235751

上看独立制片的电影不太有名,但很多联合制片在纪录片领域还挺有名的,Brvaehearts, TPB AFK, Armadillo等。

SVT 瑞典电视台

后面就别分什么采访,影评了,跟这部电影有关的文章除了瑞典电影协会的界面http://www.sfi.se/en-gb/Swedish-film-database/Item/?type=MOVIE&itemid=66721

只找到了http://www.cphdox.dk/d/film.lasso?e=1&ser=1833

http://kosmorama.no/en/program/everyone-is-older-than-i-am 这两篇文章

Bo Widerberg 是瑞典著名导演,他曾想拍一部关于父亲的纪录片,但没能完成。而他的儿子多年后又重启了这个项目,但不再是去拍他的爷爷,而是去展现这对父子的关系。其中有两人对艺术激烈的探讨,但也能看到他们对彼此深刻的理解。同时其中又插入了Bo Widerberg的著名电影,导演自己的电影和生活。在这个过程中,我们同样感觉到导演对自己与自己儿子关系,以及与自己父亲的思考,一个家庭几代人的精神以不同的方式连结到了电影里。

目前也没找到预告片

只找到一个 COP:DOX 时的视频介绍和导演采访(导演采访部分是英文,其他部分应该是丹麦语)https://www.youtube.com/watch?v=R0BnXA30lSs

My Afghanistan基本信息

My Afghanistan

时长:88 min

制片国家:丹麦

年代:2013

导演:Nagieb Khaja

(导演简介:Born 1979, Denmark. Renowned journalist and two-time nominee of the prestigious Danish journalism award Cavling. Nagieb over the years has worked for both television and newspaper media, and primarily engaged in terrorism, human rights, the war in Afghanistan and the criminal community in Denmark.

(维基上关于他的记者经历介绍的比较多 http://da.wikipedia.org/wiki/Nagieb_Khaja (丹麦语,google翻译)比较震撼的是他深入到塔利班控制地区采访塔利班,但因此被阿富汗当局拘押,几个月后又在阿富汗被绑架)

Director of documentaries dealing with the effects of the West’s War on Terror, including “Accidental Terrorist” (2009) with Miki Mistrati, “Maybe Innocent” (2009), “Convicted for Terror” (2010) with Miki Mistrati and Christian Sønderby Jepsen, and “My Afghanistan” (2012).

摘自丹麦电影协会 http://www.dfi.dk/faktaomfilm/person/en/177130.aspx?id=177130

知名记者,作为纪录片导演喜欢关注西方的反恐战争对当地产生的影响

他也有自己个人官网 http://nagiebkhaja.com/ 丹麦语)

制片公司:Magic Hour Films ApS(formerly known as Lise Lense-Møller Film) 丹麦

成立于1984年,以纪录片为主,偶有短片和剧情片。来自http://www.dfi.dk/Service/English/News-and-publications/FILM-Magazine/Artikler-fra-tidsskriftet-FILM/76/The-other-side.aspx 右边栏

履历丰富,但没找到自己的主页,只找到丹麦电影协会的页面

http://www.dfi.dk/faktaomfilm/selskab/en/125786.aspx?id=125786

有很多片子NORDOX展过,包括Pushwagner,Into eternity,Burma VJ – reporting from a closed country。

Grunnet Film (丹麦)

丹麦电影协会界面http://www.dfi.dk/faktaomfilm/selskab/en/210959.aspx?id=210959

履历上只有这一部片子

联合制片:Piraya Film (挪威)

应该是公司官网 http://www.piraya.no/ 但不知为什么需要用户名和密码才能进入界面…

维基简介 https://en.wikipedia.org/wiki/Piraya_Film

成立于1999年,以纪录片为主,关心人权议题,经常参与国际制片

官网:http://myafghanistan.dk/ 其实应该算是整个项目的官网。其中普及关于阿富汗的许多问题,大家自己有问题也可以上去提问,而且能看到很多阿富汗当地人拍的自己生活的片段(这个需翻墙),在没看到这部影片前应该算是具体了解阿富汗的一个好途径。

内容简介:

IDFA的介绍 http://www.idfa.nl/industry/tags/project.aspx?id=8d4ad3b7-643e-456c-8ae4-c0e6fc64fb55

在阿富汗,外国记者外出一般都有当地军事护卫陪同,活动受限;没有陪同孤身进到当地村子又对记者很危险。一位丹麦记者想出了一个了解当地百姓的办法:偷偷给了30个人手机,让他们拍摄自己的生活,然后用这些拍摄片段组成了本片。我们从中看到了与西方视角截然不同的阿富汗。

Because journalists aren’t allowed out of their hotels without a military escort, contact with the civilian population is pretty near impossible. But Nagieb Khaja, a young Danish journalist of Afghani origin has a trick up his sleeve. He gives 30 civilians cell phones equipped with HD cameras and asks them to film their daily lives. This provides us with a rare glimpse into the war-torn existence of regular Afghanis, a valuable antithesis to our very Western perspective on the war.

丹麦电影协会出的杂志里两篇详尽的专题文章:

一篇是导演自述 http://www.dfi.dk/Service/English/News-and-publications/FILM-Magazine/Artikler-fra-tidsskriftet-FILM/76/The-other-side.aspx

一篇是2010年很轰动的纪录片Armadillo(反映在阿富汗的丹麦士兵的生活,豆瓣上有不少人看过)的导演对这部影片的评论,但也提到了当初他们有一些交流,以及希望这两部同一题材,不同角度的片子能同时问世。http://www.dfi.dk/Service/English/News-and-publications/FILM-Magazine/Artikler-fra-tidsskriftet-FILM/76/The-war-seen-from-an-Afghan-village.aspx

采访:

Box Office网站对导演的采访 http://www.boxoffice.com/featured_stories/2013-06-my-afghanistan-director-nagieb-khaja-on-giving-civilians-a-voice

Cageprisoners(一个人权组织)对导演的采访 http://www.cageprisoners.com/our-work/interviews/item/6176-interview-with-nagieb-khaja-director-of-my-afghanistan-life-in-the-forbidden-zone 有导演对反恐战争的看法,以及导演对之前自己拍的相关电影的看法

Inter Press Service (IPS) News Agency (give prominence to the voices of marginalized and vulnerable people and groups, report from the perspectives of developing countries)

http://www.ipsnews.net/2013/06/qa-through-my-afghanistan-rural-afghans-share-their-stories/  有问到苏联占领下的阿富汗与现在有什么不同…

这几篇文章都提到这个电影在Human Rights Watch film festival in New York City展映

New Left Project网站 (dedicated to producing high quality comment and analysis on issues of concern to the political left).这篇采访没怎么谈电影,主要在谈塔利班,阿富汗现状,对西方的行为如何看待

http://www.newleftproject.org/index.php/site/article_comments/interview_my_afghanistan_life_in_the_forbidden_zone

还有别的采访,但我觉得这几篇已经覆盖到位了

影评:

PopMatters杂志 (Our scope is broadly cast on all things pop culture and we are the largest site bridging academia and popular writing in the world)http://www.popmatters.com/pm/review/172733-human-rights-film-festival-new-york-2013-my-afghanistan-and-rafea/

Eye for film网站 http://www.eyeforfilm.co.uk/review/my-afghanistan-life-in-the-forbidden-zone-2012-film-review-by-amber-wilkinson

View London http://www.viewlondon.co.uk/films/my-afghanistan-life-in-the-forbidden-zone-film-review-51551.html

优酷预告片 http://v.youku.com/v_show/id_XNTg0OTczMjQw.html

Grandma Lo-Fi: The Basement Tapes of Sigridur Nielsdottir基本信息

Grandma Lo-Fi: The Basement Tapes of Sigridur Nielsdottir

时长:62 min

制片国家:冰岛

年代:2012(冰岛院线上映年份)

导演: Orri Jónsson, Kristín Björk Kristjánsdóttir, Ingibjörg Birgisdóttir

(冰岛电影中心里这三个人的简历都很少,http://www.icelandicfilms.info/person/nr/1981 http://www.icelandicfilms.info/person/nr/9010 http://www.icelandicfilms.info/person/nr/4923

这部电影是他们第一部独立导演的作品,同时他们兼任编剧/摄像/剪辑。这篇文章里写出了他们和音乐千丝万缕的联系http://blog.gogoyoko.com/interview-with-grandma-lo-fi-director-kristin-bjork-kristjansdottir/

Kristín Björk Kristjánsdóttir (aka Kira Kira), Orri Jónsson (a member of Slowblow) and Ingibjörg Birgisdóttir (who’s made a name for herself directing music videos for the likes of Sin Fang, Sóley, múm and Jónsi)

因为我对冰岛音乐并不了解,在豆瓣上搜了一下发现,这几个团体都挺有知名度的。这篇文章恰好把他们都介绍了http://music.douban.com/review/1429370/#comments

但简历里和这篇文章里http://www.musicfilmweb.com/2012/06/music-documentary-grandma-lo-fi-ingibjorg-birgisdottir/ 也反映了Orri Jónsson还是摄影师)

制片公司:Republik Film Productions(冰岛)

官网 http://www.republik.is

facebook界面https://www.facebook.com/Republikfilm

vimeo界面 http://vimeo.com/republik

Republik Film Production was established in 2006 when the director brothers Arni Thor Jonsson and Lalli Jonsson teamed up with executive producer Saemundur Nordfjord. The new partners were off to a fresh new start after spending a number of years with their incubator Saga Film Productions.(摘自官网)

但这两兄弟的主要履历都不是电影,Lalli Jonsson是广告http://www.generatorfilms.tv/lalli-jonsson/ ,Arni Thor Jonsson是mv和广告 http://www.generatorfilms.tv/arni-thor-jonsson/

而这个公司制作的电影也不多

联合制片:Sunn Productions(丹麦)查不到什么信息,冰岛电影中心里它的制作履历也只有这一步电影

影片facebook界面 https://www.facebook.com/Grandmalofi 一直保持更新

内容简介:

70岁时,一位冰岛老太太开始在起居室里录制音乐。7年后,她已经发行了59张专辑。歌里除了她的自弹自唱,还混合了各种有趣的声音。她不仅总是对创作,录音充满了各种创新,还包办自己专辑里所有的艺术设计。现在她成了冰岛独立音乐圈里的cult英雄。本片是对她无穷创造力的致敬。

At the tender age of 70 she started recording and releasing her own music straight from the living room. 7 years later she had 59 albums to her name with more than 600 songs – an eccentric myriad of catchy compositions mixing in her pets, found toys, kitchen percussion and Casio keyboards. Sigridur Nielsdottir is her name, and before long the Icelandic/Danish musician became an adored cult figure in the Icelandic music scene, represented here by her young apprentices Mugison, Mum, and Seabear. Shot mostly on Super-8 and 16mm ‘Grandma Lo-fi’ is a cinematic tribute to her boundless creativity.

来自IMDB http://www.imdb.com/title/tt2214807/plotsummary?ref_=tt_ov_pl

采访:

Rooftop Films电影节对导演 Kristín Björk Kristjánsdóttir的采访

http://rooftopfilms.com/blog/2012/07/meet-the-filmmaker-grandma-lo-fi.html

MusicFilmWeb(一个专门关注音乐纪录片的网站)对导演Ingibjorg Birgisdottir 的采访

http://www.musicfilmweb.com/2012/06/music-documentary-grandma-lo-fi-ingibjorg-birgisdottir/

博客gogoyoko对 Kristín Björk Kristjánsdóttir的采访

http://blog.gogoyoko.com/interview-with-grandma-lo-fi-director-kristin-bjork-kristjansdottir/

影评:

这部影片跑了很多电影节,而且也受到了广泛喜爱,并且在音乐而电影两个领域都能得到关注,所以影评其实有很多,我就只贴了一部分。

International Film Festival Rotterdam (IFFR)

http://twitchfilm.com/2012/02/iffr-2012-review-grandma-lo-fi-the-basement-tapes-of-sigridur-nielsdottir.html

ArtHub.ie(一个爱尔兰的艺术网站)除了电影也谈了对音乐和年龄的一些看法

http://www.arthub.ie/blog/2012/12/02/grandma-lo-fi-the-corona-cork-film-festival/

Arts Hub(澳大利亚)http://au.artshub.com/au/news-article/reviews/film-tv-radio/grandma-lo-fi-192085

This DIY quality that infuses her music also flows through into the construction of the documentary itself. The artistic triumvirate that created this film all come from disparate backgrounds. Fine art, animation, music – all artistic forms pervade the texture of this documentary, which was entirely shot on 8mm and 16mm film. Employing a handmade quality reminiscent of Michel Gondry’s best work, Grandma Lo-Fi intersperses hand-drawn animation, photo-collages, stop-motion, even the pops and crackles of the celluloid itself to create a gorgeous, almost tangible, textural quality to the film.

提到了Melbourne Festival,该片是作为其中项目的一部分

Why does Melbourne Festival need a film program? Curator Richard Moore, the former Melbourne International Film Festival director, says the reason is simple: people need to be reminded that, well, ”art matters”.

http://www.theage.com.au/entertainment/movies/cinematic-matters-20121005-27451.html

eye for film http://www.eyeforfilm.co.uk/review/grandma-lo-fi-the-basement-tapes-of-sigridur-nielsdottir-2011-film-review-by-jennie-kermode

article magazine(英国)有插图

http://articlemagazine.co.uk/2012/06/article-monoplex-3-grandma-lo-fi-the-basement-tapes-of-sigridur-nielsdottir/

优酷上的预告片

http://v.youku.com/v_show/id_XNTg0MzcyNDU2.html

Palme基本信息

Palme

时长:103 min

制片国家:瑞典

年代:2012

导演: Maud Nycander, Kristina Lindström

(导演简介:Maud Nycander, photographer/director/producer, was born in 1960. She started her carrier as a still photographer. In the middle of the 90s she started to work with film and television. 摘自该导演自己所在的制片公司的官网 http://www.maudnycander.se/

Maud Nycander is a documentary filmmaker who lives in Stockholm. Her previous films include the highly acclaimed Love and Fish Fingers/Kärlek och fiskpinnar (2004) and The Latin Kings (2004). 摘自瑞典电影协会她的界面 http://www.sfi.se/en-GB/Swedish-film-database/Item/?type=PERSON&itemid=177135

Kristina Lindström was born in 1957 in Sundbyberg , is a Swedish writer , journalist and filmmaker.Lindstrom was trained at the School of Journalism in Gothenburg 1977-1979. She has worked at the Daily News and has been a producer at Swedish Radio’s community editorial board from 1984 to 1994. Lindstrom was employed on Swedish Television in 1994. In SVT, she has been the project manager and producer for Bullen, and for the celebration documentary project Elbyl which was an innovative community programs for young adults. Between 2000-2010 she was Director of Culture editorial on SVT . Lindstrom has made ​​documentaries for radio and television.  摘自wiki http://sv.wikipedia.org/wiki/Kristina_Lindstr%C3%B6m ,是瑞典语,用google翻译的,瑞典电影协会上都没有她的英文简介)

制片公司:B-Reel AB(瑞典) http://www.b-reel.com/

B-Reel commands a global presence, with offices in Stockholm, New York, London, Los Angeles and Berlin. It has created and produced integrated digital campaigns, TV commercials, documentaries, web experiences, online shows, mobile experiences, games, interactive installations, visual identities, out of home, print, and products. 类型很丰富的制作公司,而且电影的履历也不少。目前瑞典电影协会的首页上有部电影叫hotel,就是这个公司正在制作的。

联合制片:

Film i Väst AB(瑞典)是瑞典地区性电影基金,除了提供资金支持,还有制片,教育支持

http://www.filmivast.se/

Manden med Cameraet ApS (丹麦)http://www.mandenmedcameraet.dk/

PAN Vision AB(瑞典)网上查到的是一家游戏出版经销公司,不知道是不是做这部电影的公司

内容简介:瑞典电影协会上的介绍非常简短 It’s 25 years since the February night when Olof Palme was shot dead on the streets of Stockholm, changing Sweden forever overnight. Palme is the film about his life and times, and about the Sweden he helped to create. A man who changed history.

所以对这么一个历史人物参考了不少维基上的介绍 http://en.wikipedia.org/wiki/Olof_Palme

帕尔梅在上个世纪六十到八十年代间两度出任瑞典首相。他坚持瑞典的中立地位,坚决批判美苏的强权侵略,支持第三世界国家的自由解放。国内改革很大促进了社会民主化和经济增长,拓展了社会福利。1986年他在大街上突然遇刺,至今凶手不明。虽然生前争议不断,但死后得到了各地人们的怀念。该片展示了这位永远改变了瑞典历史的人的一生。

Olof Palme was a pivotal, renowned, and polarizing figure domestically as well as in international politics since the 1960s. He was the two-term Prime Minister of Sweden. Palme was steadfast in his non-alignment policy towards the superpowers, frequently criticized US and Soviet foreign policy, and supported numerous third world liberation movements. The major reforms in the Sweden carried out by Olof Palme promoted the process of democratization, boosted economic growth and built complete social welfare system.

In 1986, Palme was assassinated on the street on the street of Stockholm, and the identity of the killer is still unknown. Though Palme was a controversial figure during his career, he is memorized by the people around the world.

This film about his life and times, and about the Sweden he helped to create.

facebook界面地址:https://www.facebook.com/PALMEFILMEN 瑞典语

B-Reel公司上Palme的界面http://www.b-reel.com/projects/feature-films/case/86/palme/

“Palme” broke all box office records for a Swedish documentary upon it’s release in mid-September 2012. It became a docu blockbuster and surpassed 240 000 admissions in Sweden

采访:

The 37th Hong Kong International Film Festival有三部瑞典电影Palme,Eat Sleep Dir, Call Girl参加了这届电影节,所以电影节对 它们的导演/制片人进行了集体采访,除了各自的电影,还谈到了瑞典电影以及瑞典的现状。http://37.hkiff.org.hk/eng/news/detail/36.html

其中有一些比较有价值的资料:

Swedish films thrived in 2012, taking 22% of the local box office even as Hollywood blockbusters overwhelmed cinemas in neighboring countries. The stunning popularity of homegrown works was aided by surprise hits such as Kristina Lindström and Maud Nycander’s Palme, which is the best-attended Swedish documentary in almost 25 years.

On a more fun note, Palme’s co-director Maud Nycander revealed that the film’s music was composed by ABBA’s Benny Andersson. Andersson was once asked in an interview if he had been star-struck before. After some thought, he answered, “Yes, once, when I met Olof Palme.” He was asked if he would contribute to this documentary, and he agreed.

The Local–Sweden news in English http://www.thelocal.se/43240/20120914/

比较长篇的对两位导演的采访,而且比较好的是这篇文章前还有关于Palme的其他文章的链接

影评没有找到英文的,其实包括采访也还有不少,但都是瑞典语的…

还有一些比较杂归类的信息:

温哥华DOXA Documentary Film Festival对片子的基本简介,但因为同时还选了一部关于尼克松的片子,所以对于两个人还做了对比

http://www.doxafestival.ca/festival/films/palme

讲述该影片的好票房http://cineuropa.org/nw.aspx?t=newsdetail&l=en&did=227308

2012年也有一部讲述Palme遇刺之谜的电视剧播出 http://cineuropa.org/nw.aspx?t=newsdetail&l=en&did=220232

优酷上的预告片:http://v.youku.com/v_show/id_XNTgzNTk3MzYw.html