When heroes lie基本信息

When heroes lie

时长:119 min

制片国家:芬兰

年代:2012

导演: Arto Halonen

(导演简介:Arto Halonen has directed numerous award-winning films, including  the fiction feature film Princess and the documentary films Shadow of the Holy Book,  Pavlov’s dogs, Karmapa – Two Ways of Divinity and the  Tank Man. In 2005, Halonen was awarded the Finland Prize, the highest annual prize in the arts given by the Ministry of Culture and the Finnish State.

Among other important prizes, he has received the Humanitarian Award of the European Union in 1998, and, in 2008, the Thessaloniki   Documentary Festival honoured him as one of the most important   documentary filmmakers of his generation. In year 2010 Halonen was  awarded by the city of Helsinki Culture prize for his remarkable artistic  career.

Halonen is also the founder and the first festival director of DocPoint –  the Helsinki Documentary Film Festival – and is a member of the European Film Academy.

摘自制片公司网站http://www.artfilmsproduction.com/index.php?option=com_content&view=article&id=30&Itemid=44&lang=en

看介绍在芬兰应该挺有地位的,但只有粗体那部片子豆瓣上稍微有几个人看过

不过这个电影公司收集的一篇媒体报道http://www.artfilmsproduction.com/index.php?option=com_content&view=article&id=84%3Acaravanofnordic&catid=16%3Akirjoituksiaeng&Itemid=50&lang=en

里面有一段信息

In the late 1980’s Arto trained students in filmmaking and acted as the Regional Cinema Artist in the province of Northern Karelia. During that time, he trained teachers, screenwriters, and filmmakers using educational films and extensive production programs. The art community there handed him an award for distinguishing himself in film production with international reach. It’s an award many Nordic filmmakers could very well share. In 2000, Arto and some of the foremost documentary film-makers in Finland: Georg Grontenfelt, Visa Koiso-Kanttila, Anu Kuivalainen, John Webster, Timo Korhonen and Kiti Luostarinen established Elephant Films, Ltd. a Finnish Directors’ Group. Although it consists of seven separate prodco’s it is united by a primary aim to strengthen content by creating a synergetic environment where better docs can be made. The collective company manages to share costs and experience without jeopardizing the artistic independence of each filmmaker. As a director-driven company, it also, in a way, surpasses the need for productorial middlemen, or some would say meddle-men. This is an idea whose time could come to these shores, too.

他培训了很多电影工作者。而且2000年他的几个芬兰优秀的纪录片导演成立了一个我不知道具体叫什么,但现在这个概念应该已经非常流行了:几个人彼此合作分享,但又各自保持独立性。

制片公司: Art Films Production(芬兰)http://www.artfilmsproduction.com/

这个公司有一个比较有意思的地方,它的网站上就很明确地写了一部分films produced by Arts Films,一部分 produced by Arto Halonen

Art Films Production AFP Ltd develops and produces creative, quality films. The company’s main focus is on fiction films and documentaries, but animation projects have also been developed and realised over the years. Art Films began its operations in 1987. 很老牌的公司了

联合制片:这个联合制片信息没出现在IDFA或影片官网上,但出现在一篇文章里http://bzfilm.com/articles-notes/first-ever-finnishcroatian-sports-doping-film-presented-to-co-financiers-in-cannes/ 说和克罗地亚的MP Film Production公司联合制片,能搜到一些新闻看到克罗地亚确实有这个制片公司,但没搜到它的官网

影片官网:http://www.whenheroeslie.com/

facebook界面地址 https://www.facebook.com/whenheroeslie

这个facebook挺猛的,一直在收集各项体育运动的兴奋剂消息,也不翻旧账,都是新消息,不过更猛的是它也收集了一些反对这部影片的新闻

内容简介:

2001年北欧项目世界锦标赛时整队芬兰滑雪运动员被查出服用兴奋剂,从而揭露出芬兰滑雪运动上长期有系统的兴奋剂使用史。本片采访了教练,运动员,相关专家,揭示了这项运动的黑暗面。其实它折射出了整个体育界,甚至整个社会。观众对英雄的需求蒙蔽了他们的理性。社会为了满足这种需求给了这种谎言和伪善存在的空间,为了获胜可以不允许胜利超越道德,允许双重标准的存在。

When an entire group of Finnish skiers tested positive for doping in the Lahti World Championships of 2001, it revealed the systematic and long-term history of the use of illegal performance-enhancing drugs in the sport.

When Heroes Lie analyzes the history of doping from the 1970s to the present day, using archive footage and interviews with skiers, coaches and experts. Director Arto Halonen conducted extensive research into the global doping culture in top-class athletics. He explores how our society, where success systematically prevails over morals, lays the foundation for a hypocritical attitude in the pursuit of triumph. The people want champions and heroism, but close their eyes to the world behind the international stage – that shadowy world that sets the conditions for hero status. But when there’s official confirmation of something that anybody with any common sense could have known all along, the moral outrage is immense. This touches on a wider problem in our society: cheating is the rule rather than the exception when it comes to achieving our sacred goals. But nobody seems to mind, as long as it doesn’t come to light.

以上来源 IDFA http://www.idfa.nl/industry/tags/project.aspx?id=dfae47ce-0b1e-4eda-9c55-5fb2413b2420

和影片官网 http://www.whenheroeslie.com/synopsis

采访:针对这部影片没有找到导演的英文采访

但这篇文章中引用了这样一段比较重要的导演的话http://www.cineuropa.org/nw.aspx?t=newsdetail&l=en&did=216183

We have been very meticulous in our research, so if anyone will sue us, we can prove every detail of the rotten, doping-ridden history of skiing we disclose. However, we also came upon some second-hand reports, which were simply incredible, and unusable in a documentary on a sensitive subject.

还有一个之前提到的网站收集的导演采访,虽然和本片无关,但后面提到了很多芬兰电影的现状和他自己公司的事

http://www.artfilmsproduction.com/index.php?option=com_content&view=article&id=84%3Acaravanofnordic&catid=16%3Akirjoituksiaeng&Itemid=50&lang=en

还有一个以前的采访,讲自己对纪录片的态度 http://www.filmfestivals.com/blog/thessaloniki/arto_halonen_press_conference_in_the_10th_thessaloniki_documentary_festival

一句引用http://bzfilm.com/articles-notes/first-ever-finnishcroatian-sports-doping-film-presented-to-co-financiers-in-cannes/

”With fiction, I can play with the characters and bring in empathy and humour. I want to help people think of doping in a different way, from the angle of people outside the system”

影评:

官网上收集了都是片段是影评,但可能因为原文都是北欧文的缘故,也没给链接(facebook上有)

现在唯一找到的是一个a Nordic sport science web journal上的影评 http://idrottsforum.org/forumbloggen/a-faulty-film-coming-to-a-screen-near-you/

但是这篇文章觉得这部电影有缺陷,导演有预设立场

社会新闻:

因为兴奋剂确实会引起很大的社会关注,所以有很多跟兴奋剂相关的新闻

比如之前提到的导演用了很多匿名信息,又坚持不透露来源,而且有些披露的目前还没有证据,所以挪威方面反应很激烈http://www.newsinenglish.no/2012/11/22/skiers-shocked-over-doping-claims/

不过影片也带来了一些积极影响。导演写了公开信建议改变现有的芬兰兴奋剂监控系统,芬兰Minister of Social Affairs and Health做出回应:I’ve asked to organize a discussion between the Finnish Medicines Agency and the police in order to develop their co-operation. The discussion will be to review the existing mechanisms for cooperation and possible needs for improvement when cooperating with drug control detected in the suspected criminal conduct and seeking a reference to any of the cases in which illegal activity is potentially criminally out of date.

http://www.whenheroeslie.com/news/55

优酷预告片地址 http://v.youku.com/v_show/id_XNTg5NjI2MzI4.html

 

 

 

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17000 Islands基本信息

17000 Islands

因为这部“片子”的性质很特殊,所以先要说它是什么。

17000 Islands是一部人人都可以参与的纪录片,或者说影像实验。导演去除控制,把剪辑权交给观众。

在印尼雅加达有一座缩影公园,里面复制了印尼各地的特色建筑。这是在苏哈托执政时期建的,希望反映这个多元国家的人们都和谐地生活在一起。这种人为控制造出的理想画面使本片的导演很感兴趣,他们反而想在此地拍摄一部去除控制的电影。可是剪辑本身就是种控制,所以导演决定让观众剪辑。但大多数观众毕竟不熟悉剪辑,所以导演就做出了一个由很多几何图案构成的印尼群岛界面,每个几何图案代表了一小段影片,观众可像玩拼图一样随意拖动这些几何图案,这样可以改变这些片段在影片中顺序。如果观众对剪辑感兴趣可使用专门的剪辑软件对影片素材进行处理。目前导演只在几个电影节上进行了测试,但是导演表示已经从观众的创造中得到了他们自己长时间剪辑中没想到的点子。现在系统还在进行调试,这个夏天晚些时候应该就能完成。到时导演会把它放到互联网上,所有人都能参与完成这部片子。

来源:“影片”官网简介http://17000islandsinteractive.com/preview/index.php/about-project/

filmmaker杂志上的详细介绍 http://filmmakermagazine.com/57620-destroying-17000-islands-at-cphdox/

国家:挪威

年代:2013

导演:Thomas Østbye(挪威)和Edwin(印尼)

(导演Thomas简介:他参与了2012DOX: LAB,本片就是这个lab的项目

Thomas Østbye (1979), born and based in Oslo, is both a filmmaker and artist working with installation and photography. He’s known to combine artistic reflections on the documentary genre with contemporary political dilemmas. He made his mark with formally challenging and socially engaged documentaries like Imagining Emanuel, HUMAN and in your dreams.

他也拥有自己的制片公司

官网http://www.plymserafin.com/

facebook界面 https://www.facebook.com/ThomasOstbyePlymSerafin

以上综合https://www.festivalscope.com/director/stbye-thomas

和官网http://17000islandsinteractive.com/preview/

导演Edwin简介:从入选的电影节看,势头不错。

Edwin is one of Indonesia’s most prominent filmmakers. His latest film, Postcards From The Zoo was nominated for Golden Bear at Berlinale 2012. His first feature Blind Pig Who Wants to Fly received the FIPRESCI Prize at the International Film Festival Rotterdam 2009, and his short film Kara, Anak Sebatang Pohon was the first Indonesian film to be shown on the Director’s Fortnight in Cannes 2005.

来自官网http://17000islandsinteractive.com/preview/

 

 

创作团队:

上面提到的导演运营的制片公司PlymSerafin

影片官网简介:PlymSerafin produces formally challenging documentary films that seek depth in their subject matter. The films have been nominated several times for the National Broadcasting Awards, the National Film Awards, Prix Europa and screened at Hotdocs and MoMA. They received a number of film and art awards including Nordic Dox Award – CPH:DOX for Imagining Emanuel, Prix Français – National Art Exhibition for In your dreams, Golden Chair – Grimstad and Goldener Schlüssel – Kasseler for Human.

因为最后实现观众参与需要一个由很多几何图案构成的印尼群岛界面,所以还有设计公司Helios Design Labs参与进来        公司官网http://heliozilla.com/

影片官网简介:Helios Design Labs is an interdisciplinary design studio located at the intersection of art and technology.

We design experiences that combine the art of traditional storytelling with new and emerging technologies in web, mobile and animation.

While we have strong technical capabilities, we believe in using technology to help tell a better story, not just for its own sake.

Design is at the core of what we do.

影片官网:http://17000islandsinteractive.com/

facebook界面:https://facebook.com/17000Islands

因为互联网上所有人都能参与的界面还没完成,所以目前的消息很少,只有上面提到的filmmaker杂志上的详细介绍 http://filmmakermagazine.com/57620-destroying-17000-islands-at-cphdox/  其中还有导演阐述自己的想法

 

《….but Film Is My Mistress》基本信息

《….but Film Is My Mistress》《…但是电影是我的情妇》基本信息

时长:66 min

制片国家:瑞典

制片公司: Stiftelsen Ingmar Bergman, Stockholm

联合制片公司: Mantaray Film & TV Production HB, Stockholm,AB Svensk Filmindustri, Stockholm

Advance allocations:   Stiftelsen Svenska Filminstitutet, Stockholm

发行:2010年5月 (法国)

制片人:Stina Gardell

导演: Stig Björkman

配乐: Matti BYE –

 剪辑:Dominika DAUBENBUCHEL

Stig Björkman (born 2 October 1938) is a Swedish writer and film critic. He has also directed fifteen films since 1964. His 1972 film Georgia, Georgia was entered into the 23rd Berlin International Film Festival.[1] His 1975 film The White Wall was entered into the 9th Moscow International Film Festival.[2]

剧情介绍

回顾性讲述英格玛·伯格曼主要电影的制作幕后花絮。这部影片由英格玛·伯格曼基金会委托,从马丁·斯科塞斯和世界电影基金会资助。

http://www.sfi.se/en-GB/Swedish-film-database/Item/?itemid=70333&type=MOVIE&iv=Basic

影片« … mais le cinéma reste ma maîtresse »(电影就是我情人),瑞典导演斯蒂格•比约克曼(Stig Björkman)第二部关于伯格曼的纪录片展现了从1965年的Persona到2003年的Saraband等8部影片拍摄期间留下的纪实性工作样片,试图以此捕捉到英格玛•伯格曼(Ingmar Bergman)非凡的个性。

8部电影包括:《假面》(Persona)、《羞恥》(Shame)、《哭泣與耳語》(Cries and Whispers)、《婚姻暗流》(Scenes from a Marriage)、《秋天奏鳴曲》(Autumn Sonata)、《傀儡人生》(From the Life of the Marionettes)、《排演之後》(After the Rehearsal)、《夕陽舞曲》(Saraband)。

整部影片由利夫•乌尔曼(Liv Ullmann)指导。数位受到英格玛•伯格曼巨大影响的杰出导演对图片进行了评论。其中包括伍迪•艾伦(Woody Allen)、奥利弗‧阿萨亚斯(Olivier Assayas)、贝纳多•贝托鲁奇 (Bernardo Bertolucci)、阿诺•戴普勒相(Arnaud Desplechin)、约翰•赛尔斯(John Sayles)、马丁•斯科西斯(Martin Scorsese)及拉斯•冯•提尔(Lars von Trier)。影片清晰地描述了这位艺术家的形象,他在每部新的影片计划中都会为自己和演员、摄影师等同事设定一个全新的挑战。

http://www.festival-cannes.fr/cn/archives/ficheFilm/id/11017307/year/2010.html

英格玛·伯格曼 不仅仅是瑞典最有名的电影导演,他也是世界上最负盛名的电影制片。他颇具创造力的300多部作品包括电影,电视,电台和出版物。

Ingmar Bergman的详细介绍http://zh.wikipedia.org/wiki/英格玛·伯格曼

英格玛·伯格曼 Ingmar Bergman基金会 http://ingmarbergman.se

影片《…但是电影是我的情妇》参加过的电影节:

EPOS The International Art Film Festival

Official Selection

01/02/12

Brisbane Int. Film Festival

Official Selection

03/11/11

IndieLisboa

Official Selection

05/05/11

BAFICI Buenos Aires Festival

Official Selection

07/04/11

It’s All True Documentary Film Festival

Official Selection

31/03/11

Hong Kong International Film Festival

Official Selection

20/03/11

Taipei Golden Horse Film Festival

Official Selection

04/11/10

Nordische Filmtage Lübeck

Official Selection

03/11/10

Telluride Film Festival

Official Selection

03/09/10

Cannes Film Festival

Cannes Classics

12/05/10

Quotes from the film

There are certain people you think of that make up the fabric of the art world, of culture, of show business. And they’re just there all the time, you know. Picasso was always there, for a hundred years, an actual hundred years. And so with no Bergman, and no Truffaut, and no Fellini, no Buñuel, and no Kurosawa, you know, they are the ones that really define celluloid, the cameras and the light and all that. They are the ones who defined it as art. All that gift goes, and it’s terrible. –Woody Allen

If you were alive in the 50s and the 60s and of a certain age, a teenager on your way to becoming an adult, and you wanted to make movies, I don’t see how you couldn’t be influenced by Bergman. –Martin Scorsese

When people feel on their guard against Bergman films, saying: “His films are for adults for the upper class.” Never… Never! It scares children. Great! It’s primitive, like the films that were made in 1910, in 1920. You can see he’s been faithful to the silent movie all his life. Later, in the talkies, characters said great things, yes. But the action is pure silent movie stuff, to me, as I watch them. –Arnaud Desplechin。http://worldcinemafoundation.org/films/but-film-is-my-mistress

上述英文翻译Cinephilia迷影中V《…但是电影是我的情妇》 斯科塞斯 谈 伯格曼(1)都有,介绍的很全http://cinephilia.net/archives/1816