Grandma Lo-Fi: The Basement Tapes of Sigridur Nielsdottir基本信息

Grandma Lo-Fi: The Basement Tapes of Sigridur Nielsdottir

时长:62 min



导演: Orri Jónsson, Kristín Björk Kristjánsdóttir, Ingibjörg Birgisdóttir



Kristín Björk Kristjánsdóttir (aka Kira Kira), Orri Jónsson (a member of Slowblow) and Ingibjörg Birgisdóttir (who’s made a name for herself directing music videos for the likes of Sin Fang, Sóley, múm and Jónsi)


但简历里和这篇文章里 也反映了Orri Jónsson还是摄影师)

制片公司:Republik Film Productions(冰岛)




Republik Film Production was established in 2006 when the director brothers Arni Thor Jonsson and Lalli Jonsson teamed up with executive producer Saemundur Nordfjord. The new partners were off to a fresh new start after spending a number of years with their incubator Saga Film Productions.(摘自官网)

但这两兄弟的主要履历都不是电影,Lalli Jonsson是广告 ,Arni Thor Jonsson是mv和广告


联合制片:Sunn Productions(丹麦)查不到什么信息,冰岛电影中心里它的制作履历也只有这一步电影

影片facebook界面 一直保持更新



At the tender age of 70 she started recording and releasing her own music straight from the living room. 7 years later she had 59 albums to her name with more than 600 songs – an eccentric myriad of catchy compositions mixing in her pets, found toys, kitchen percussion and Casio keyboards. Sigridur Nielsdottir is her name, and before long the Icelandic/Danish musician became an adored cult figure in the Icelandic music scene, represented here by her young apprentices Mugison, Mum, and Seabear. Shot mostly on Super-8 and 16mm ‘Grandma Lo-fi’ is a cinematic tribute to her boundless creativity.



Rooftop Films电影节对导演 Kristín Björk Kristjánsdóttir的采访

MusicFilmWeb(一个专门关注音乐纪录片的网站)对导演Ingibjorg Birgisdottir 的采访

博客gogoyoko对 Kristín Björk Kristjánsdóttir的采访



International Film Festival Rotterdam (IFFR)一个爱尔兰的艺术网站)除了电影也谈了对音乐和年龄的一些看法

Arts Hub(澳大利亚)

This DIY quality that infuses her music also flows through into the construction of the documentary itself. The artistic triumvirate that created this film all come from disparate backgrounds. Fine art, animation, music – all artistic forms pervade the texture of this documentary, which was entirely shot on 8mm and 16mm film. Employing a handmade quality reminiscent of Michel Gondry’s best work, Grandma Lo-Fi intersperses hand-drawn animation, photo-collages, stop-motion, even the pops and crackles of the celluloid itself to create a gorgeous, almost tangible, textural quality to the film.

提到了Melbourne Festival,该片是作为其中项目的一部分

Why does Melbourne Festival need a film program? Curator Richard Moore, the former Melbourne International Film Festival director, says the reason is simple: people need to be reminded that, well, ”art matters”.

eye for film

article magazine(英国)有插图


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